A light-hearted look at adult entertainment. It's a series full of colorful characters in a world that generates equal measures of intrigue and guilt.

暂无剧情简介

Following in the wake of Benoît Poelvoorde and Philippe Geluck, comedians, actors and other Belgian singers have established themselves in France in recent years, in the media and on stage. But, if we appreciate them today, this was not always the case. In this documentary, director Olivier Monssens acts as the spokesperson for his compatriots. Through testimonies and delicious archive images, he returns to the not-so-distant era when our neighbors were considered friendly but somewhat idiotic people. The film is also an opportunity to understand what characterizes the Belgian spirit by focusing on some of its facets: humor and its famous local variation, self-deprecation, cinema and music.

As two smart teenagers get hold of an educational toy from the future, they have no idea what it is teaching them. But bored with school and their own world, they soon discover that there may be a way out into some other dimension or time.

Jónus is trapped on top of a mountain when he is met with God, who aids him by giving him superpowers. Now Jónus must get off of there while also being careful to not overuse his newly acquired abilities.

This remarkable film was made in 1954, and is far more sexually explicit than ' Last Spring '. It is made in colour and there is no sound coming out of the mouths of the youths and men Reichenbach has silently filmed. I find this poignant as all those romantic or fun words are lost and the impact of this is of a world lost to us but recalled by images. And the images blaze at us over the decades, full of life and in juxtaposition with constant images of flowers and nature in a seemingly constant Summer the men appear fragile. This fragility of flowers and youth show that this Summer cannot last, but must die to renew itself for other Summers and other young men. There are distant and close ups of the penis, and this is neither arousing or shameful, but simply part of the context of our natural world. The total impression is one of a garden of freedom and play and of as I said before transience. Then Reichenbach astonishes by showing the viewer a gay cruising park of the times, women only occasionally breaking up this world of men. It is in contrast to the flower world of total nature, and with a certain melancholy it perhaps shows that heterosexuality has its own laws and must break up the world men can find in total freedom among themselves. But that is my interpretation and who knows what Reichenbach felt as he let his camera linger and play among this world of young and very beautiful men, who in the homophobic years of the 1950's could cast off their clothes with such ease and an aching tenderness of vulnerability. See it if you can with ' Last Spring ' for an historic view of homosexuality in a hostile world that Reichenbach refuses to allow to intrude upon this Eden that fades with the flowers and dies with the grass. Both this and ' Last Spring ' excellent portraits of a lost world. A cinematic poem.

After a nude photo leaks online, three teenage friends face the consequences and struggle to regain control of their lives while navigating through social media, relationships, and personal boundaries.

一位公主得知她所拥有的一艘船的船长殴打了一名乘客，并间接导致了该乘客的死亡。尽管船长的行为是为了维护她的名誉，但他还是立刻被解雇了。后来在塞浦路斯，公主遇到了一位英俊的男子，两人相互吸引。直到他表达了对公主比阿特丽斯·多里亚尼（Princess Beatrice Doriani）这个名字的蔑视，因为这个名字让他失去了……

暂无剧情简介

Tout feu, tout femme tells how Isabelle, a nursery instructor and, above all, a student in Psychology, does everything to cure François, a firefighter by profession, of his unhealthy fear of women. How does she go about it? ... Why not surround her with pretty girls to divide her fear? His plans are so successful that ...